I still find it a strange phenomenon when, once an emcee signs with a major label, they most likely proceed to release an album of party rap—each song purposefully purports itself to be an anthem. Hooks and cheese (and not the money colloquialism) are turned up to eleven, lyrical content tends to focus on simplistic themes and dire rhyme schemes, and the beats are always danceable to some extent. I guess I'm just more surprised that there's such a minimal effort to counter the trend. It's mostly likely purely a marketing move, but Wiz Khalifa has easily succumbed to that even more on his awful new album "Rolling Papers"; one can hope he can earn a living from the singles this record produces, because he surely has no integrity left for subsistence.
New Chromeo is obviously a good thing. "Don't Turn the Lights On" from the forthcoming "Business Casual" sees the duo retain their smooth Miami Vice suave-swagger, with a bit of evil thrown in. Business Casual sees tangible release on September 14th.
Business Casual Tour Dates
MON 7/26 WASHINGTON DC 9:30 Club TUE 7/27 PHILADELPHIA, PA Trocadero THU 7/29 NEW YORK, NY Bowery Ballroom FRI 7/30 BOSTON, MA House of Blues * SAT 7/31 MONTREAL, QC Metropolis * MON 8/2 OTTAWA, ON Capital Music Hall TUE 8/3 TORONTO, ON Phoenix THU 8/5 DETROIT, MI Majestic FRI 8/6 CHICAGO, IL Lollapalooza * SAT 8/7 MINNEAPOLIS, MN First Avenue TUE 8/10 CALGARY, AB Flames Central WED 8/11 VANCOUVER, BC Commodore THU 8/12 SEATTLE, WA Showbox Market FRI 8/13 PORTLAND, OR Roseland MON 8/16 SAN DIEGO, CA House of Blues THU 8/19 SALT LAKE CITY, UT Twilight Concert Series * FRI 8/20 DENVER, CO Ogden TUE 8/24 AUSTIN, TX Stubb's WED 8/25 DALLAS, TX Palladium THU 8/26 NASHVILLE, TN Cannery Ballroom FRI 8/27 ATLANTA, GA Masquerade SUN 8/29 LOS ANGELES, CA Hollywood Bowl (w/ The Chemical Brothers) *
Today brings us the Republic Tigers. Some friends of mine were super familiar with this band and even did a couple of gigs with them, telling me to check them out. As fate would have it, the promotional cd god was looking over me and brought me a copy of the record "Keep Color" and boy am I thankful. To do the typical blogger comparisons, I'd throw in Interpol meets Mew, but it's more than just that. A solid pop record that I hope doesn't get lost in the shuffle this year, since so much has come out, but at the end of the day I'm confident that I will be listening to this little guy for years to come.
I am not sure if I would consider myself a "child of the '90s" because I was very much in my youth at the time, but I was very aware of culture: I saw many movies released, read numerous comic books, watched a lot of television, had some cool toys and so on (I'm 23 if you're trying to do math right now). However, I wasn't much on top of current music. Other than listening to Neil Young cassettes in my folks' car, I only had my sister's changing tastes to rely on at the time. This was how I found grunge, Weezer and rock and roll in general, but she also didn't delve too deep. I had to find my Pavement and Afghan Whigs albums all by myself later on.
So I didn't come to the Lemonheads' "It's A Shame About Ray" until the 00's. Sure, I had heard their "Mrs. Robinson" version in "Wayne's World 2" and heard many bands cover them, but it wasn't until meeting certain friends that caused me to track down a used copy of the lp and give it a try. Immediately, I understood what the fuss was about.
While every single Lemonheads album is fantastic and worth picking up, "Ray" is just so connectible, catchy and brilliant from song to song, it's very certainly one of those rare perfect albums that will stick with you until your death. This still counts on this expanded edition (thank god), which adds not-so-hard-to-find b-side "Shaky Ground" and a collection of unreleased demo versions of your favourite songs. On these demos, Evan Dando sounds at his most honest and intimate, fuzzing through the speakers directly to your side sharing his stories with just himself and guitar for you to listen. "My Drug Buddy" sounds like he just scored and is returning to your living room to tell you all about what went down on King St. and in the phone booth. But perhaps he is most effective on "Bit Part", minus the rock and introductory desperation courtesy of Polly Noonan but still with pal Juliana Hatfield on backing vocals, taking it down a notch to try to find "a bit part in your life", something so subtle but absolutely fucking perfect of life that you can't help but cheer for him.
However, these demos do not change the dynamic of this classic album: Alison is still starting to happen, and there are still plenty more rockin' strolls to enjoy. They merely serve and succeed as supplementary material to make you adore and appreciate an already flawless old friend. Is it worth shelling out $25 for an album you probably/hopefully already own? Well yes, if not just for the expansive liner notes and (for the first time on) dvd version of "Two Weeks In Australia", then for a chance to revisit a chunk of nostalgia and hear it with fresh ears and an updated outlook.
It's worth a damn. A big damn. I would go as far to say that on the right day, "It's A Shame About Ray" is my favourite record ever. Now where is the vinyl reissue?
